• Gave myself 5 days to do something. This is what I managed to do. I'm trying to get better at illustrations, but I have patience to work on something for 3 days maximum :( Splash_Process.jpg5000x3140 2.21 MB Splash_Process-6.jpg3896x2429 2.83 MB concept list char copy.jpg5388x3000 1.7 MB
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  • Did a character concept for a course.https://www.artstation.com/artwork/P6gm3y - more:) list1.jpg3541x1920 2.82 MB
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  • Day 4: Star Wars May The 4th =] Queen Padmé Amidala in my art style! First time drawing her and I really enjoyed making this one! Used watercolours, ink pen, acrylic markers and gold paint for accents on my Canson mix media sketchbook. I hope you like it!
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  • A creature design from a while back
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  • Here is some more recent stuff, I need to make more body studies
  • It's been a while and god, it is so cringe to go through all previous messages xDmy study.
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  • Thank you! I finally cleaned that up. Meanwhile started 3 more ..I have a habit of taking too long to finish a piece, then I lose interest in it and just start something else. I found 8 from recently i started and abandoned, that are decent enough to not delete, but not finished. There’s also been a number of drawings I felt I “outgrew” - became better before I finished them, and it would be easier to start from scratch than fix them. Anyone else thinking that?
  • Lady Death Fanart Collectible: Part 6 Polypaint and base Hi, it’s time to share with you another part of the process to create this fanart piece. Polypaint As this is my first collectible fanart I didn’t have previous experience with polypaint so I tried my best and played a bit with it.I wanted to give a ghostly and eerie look to Lady Death, she is beautiful and deadly, but at the end of the day she is a woman that died and was reborn at hell as an avenging spirit, that’s why I gave her skin tone a bluish very cold tone.As you will see I gave myself some creative freedom to deviate from the traditional color scheme that this characater has in comics and illustrations.To add a bit of sensuality by painting some freckles on the face and the chest. The dark nature of this character was the perfect excuse to gave her a kind of goth make up, very dark shadows around the eyes, blue lips and fingernails. I know that the original character includes sexy red lips but I wanted this girl to have a sexy but at the same time creepy look, that’s why we can see some thin veins emanating from her eyes. The biggest chromatic change I did for this character is at the hair. Lady Death has a characteristic white weavy hair but in my fanart I decided to gave her a very saturated blue color.The reason behind this wasn’t only an aesthetic choice. I want that the face area strongly pulls the attention of the viewer so this area needed a stronger contrast. Another reason is that I want her to have a more modern look, as I mentioned before, I’m strongly attracted to women with goth/punk look. I gave myself half an hour or more to analyse the work of experienced sculptors that create collectibles and I discovered that the use of darker values on the skin is often applied to create a greater sense of volume and three-dimensionality. I found that areas with heavy ambient occlusion are the perfect places to paint with darker colors in order to increase the separation between different forms. Even though she has a bluish skin tone, I used a bit of warmer hues in areas that, in real life, tend to go towards red and pink, this is very obvious in the nose, cheeks, and knuckles. Thinking with a logical mind it’s completely absurd to have warmer tones on the body of a zombie like creature but I didn’t want to limit myself by using only blue tones, it looks boring and artificial. In real life these colors are created by blood vessels in areas where the skin is very thin. ** Scythe **for her weapon I applied a cool gray with some warmer variations, this color scheme is influenced by the work of H.R giger. Base I’d like to talk about the design for the base which, to be honest, I forgot to develop along with the character.My main idea with the base is to show that Lady Death inhabits a very sterile and arid land, at the end of the day she is at hell.You can see a that she walks over dirt and rocks, a sign that she’s surrounded by death and loneliness. As part of the landscape we can see some bones and skulls to reinforce the idea of lack of living creatures, yet we can see three hands that try to reach her legs.This hands represent that all creatures are subordinated to her power and seek an evil blessing with a simple touch of the princess of the damned.1- The hand with skin burns represents the souls of those who are newcomers to hell, tortured souls that suffer for the sins comitted on earth.2- The hand with greenish rotten skin and pustules is the reminder of the decay that has infected the souls of those who have been trapped and have forgotten their humanity3- Last but not least, the hand of a demon shows that even dark creatures and entities bow before her presence. The cherry on the top, at least in my vision, are the simese twins that emerge from the ground, this malevolent creatures remind us that in hell there’s only perversion and any trace of innocence is lost. Thanks for reading till this pointI’m really happy to be very close to finish this creative journey, last but not least it’s mandatory to talk about splitting the sculpture in several pieces to be printed, this will be my last entry before showing the final rendered images. See yaMay Zbrush be with you
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  • memory 2min gartic phone, used ref 2m gartic, used ref for pose 2min gartic 2min gartic 2min gartic 2min gartic memory memory memory memory study memory memory memorymemory memory memory memory memory memory study memorystudy study stylized left memory, right study study memory memorymemory memory memory memorymemory memory, porportions r offmemory memorystudystudy memorymemorymemory memory memory memory memory memory memory memory, right leg is a bit broken The feeling of only getting 1 - 3 likes on a social media post will never not be discouraging. But nothing is discouraging enough to make me quit drawing. I think the strategy of drawing a lot of stuff and waiting a while to post is good though rather than posting it immediately and then feeling that sadness on the next set of drawing
  • Urban Dragon Girl Wip Urban Dragon Girl_wip1.jpg5000x5000 1.11 MB
  • Long time no see! New artworks produced lately
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  • studies studies juri study imagination, how I feel before a speech imagination imagination study something I drew for my presentation also drew this for my presentation, didn't fix the one hand being bigger than the other imagination + study study studies study study, I need to fix the face a bit based on screenshot from anime but in my style study. except for the eye study studies studies study. changed some things tho imagination imagination imagination study studies, except top right samurai based on anime screenshot wolverine studies, changed some of the poses a lil, not very good at all, but first time i drew the character ever. semi study studies study imagination imagination imagination , for first time ever i tried to draw over 3d model for middle pose, I dont like the result tbh, but it makes it much easier than coming up with it from memory.imagination, except right figurestudies imagination + studies, coming up with action poses r hard, these are not dynamic enough, I will redraw better ones in future. imagination , imagination imagination study, except for eye imagination imagination imagination doodles except for the two chrollos imagination storyboard thumbnail, idk if i ever shared this. my storyboards end up being a little detailed since i usually just draw in one layer.
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Hey Gibson,

thank you for the explanation and the diagram. The thing is, that I didn´t look at any
anatomy besides the simple bony landmarks of the torso and the pelvis yet and I
would like to wait for it, till I reach the according lesson. I still try to
take some of your tips in consideration and try to apply them, especially the
overall impact of the muscles on the contour, but I think your diagram will
help me more in a later stage, where I gladly will use it. Until then, I try my
best with the limited knowledge I have now mixed with a little bit of the things
you showed me.

The time for the Gesture drawings rose for this week again and now I have two minutes per pose. This gives me enough time to finish every body part in the gesture steps and mostly, also have 30s to one minute left, in which I try to draw the ovals for the torso and pelvis over the gesture and try to connect them. Since I didn´t have much experience with this step jet and not too much time left, I often struggle with the size of the ovals and especially with the connections. This I think will get better with time and practice, when I’m more accustomate with the process and need less time to think how I best place the forms and lines for the connections.
The picture below is todays try.

New this week is the 7th assignment of “Nude Figure Drawing”, where we have to draw the full figure from reference with the help of measurement techniques, Marc shows us in the video. Marc mentioned in the video, that this exercise is hard and for me this comes very true. Even if I measure everything and then double check it, I greatly struggle to keep the correct proportions and forms. Regardless, I am going to do this assignment as carful as possible and decided that, although it doesn’t show on the schedule again after this week, at least for term 1, I will do it after this week one a regular basis. Bellow is also my attempt from today. Here I spotted a mistake I made in all my first try’s. In short, for lengths which were shorter than one head or the scale I used, for whatever reason, took the rest of the length to the full head and not the actual length. For example, when I measured the length, I needed was 1,75 heads, I took the remaining 0,25 heads instead of the 0,75 heads.

Also new this week was assignment 5 for “Nude Figure Drawing”, which I also worked on but doesn´t have enough for posting yet. I am going to show some of my attempts for this assignment on Sunday.

For perspective this week, assignment 2 remained as daily exercise, but with the twist, that instead of isolated boxes we should draw stack of boxes or boxes arranged in patterns. Here is today’s attempt. This variation of the exercise is for sure more challenging than its basic form, but I think it is still manageable.

Lastly according to the schedule, this week the studies of 5 characters from movies/games/… we like should be done again. For this I won´t post anything, because I still try to figure out, how to best do this studies and therefore there isn´t anything I have to share except a bunch of bad lines which roughly resemble the character I try to study after it was hit by a train (Ok, this part is purposely exaggerated and I take my shortcomings here with a lot of humour).

To finish this week, as usual, here is my second posting for this week.
Like Wednesday, I will start with the “Gesture Drawings”. I think I got a little bit faster to identify the ovals for the torso and the pelvis, and the connections between them, on simple, upright standing poses, so that I was able to get to the centre line for these poses. Next week, the time for the gestures will rise to 5 minutes, and I think I will focus on the connections for the first half of the week and then see on what I will work from there. Bellow is my attempt from today.

On Wednesday I stated that assignment 7 (drawing a full pose using measuring) is very hard and my attempts had a lot of errors. Until Friday I didn´t see any improvements in for this, but yesterday and today, I changed my strategy for this assignment a bit. Instead of measuring everything by heads or other fixed lengths I could find, I know rely more on angle sighting and triangulation with only a bit of measuring now (mostly to check if I triangulated right) and I think it worked better for me. Even if there are still a lot of errors, overall, my attempt of today, which is shown bellow looks better to me. Doing this assignment, I also realized, that my ability to place lines with the right length and the right angle or reference points in general are not so good, and I could profit from getting better at it. I looked for some exercises for this and found some, which look promising, and I plan on doing them a few times per week about 15 minutes as warmup.

Next is assignment 5 of “Nude Figure Drawing”, for which we should draw 5 simple skeletons from reference or from imagination. Doing this exercise, my biggest problem was, to draw the primary line of action, which is the foundation for the volumes. I also did struggle with the right size and perspective of the boxes, when I used them as substitution for the head, torso and pelvis.

At last, here is also my attempt of the boxes in perspective. After trying stacks of them in one point perspective yesterday, I focused on two-point perspective today.

Today I haven´t much to show, because there aren´t a lot of assignments for this week.
According to the study guide, we should do exercise 3 from the perspective class, but I am still working on it and will show my try on Sunday.
The only thing I can show is my attempt of the 5 Minute Gesture Drawings, of which you can see today’s attempt. I still try to improve the forms and connections between the torso and the pelvis and sometimes, when I get a bit quicker trough the pose, I also try to refine the legs, but most of the time here I have next to no time left, so that it remains a quick try.

Really nice Marco! Went through your posts and I'm actually gonna try to replicate how you practice the different exercises... really neat looking :blush:

I like the emphasis on the torso section with the darkened lines on the 5 min gesture drawings

You're doing great work Marco! I thought you might've been studying Hampton, happy his approach has worked so well for you! I could never get the hang of it, but I was studying his approach prior to enrolling here. I think he does a great job of breaking down the forms. I'd like to revisit his approach at some point, but my gosh you're nailing it! I also like your pages of boxes, I might try something like that to kind of mix some things up and add interest to some of my exercises.

Keep up the great work, can't wait to see what else you accomplish!

Hi olashamala,

thank you and sorry for the late reply, but I was very busy with private stuff outside drawing and didn´t have much time to show for replys.
Regarding the Gesture/Figure drawing, I modeled my methode mainly after Michael Hamptons Method for the initial Gesture and for the forms of the torso and the pelvis I add a lot of Brent Evistons method to the mix, but in my opinion Brent Evistons method is very similar to Michael Hamptons but I only understand Hampton after I worked in Evistons course on Skillshare.

Hey Alex,

also thanks to you and sorry for the late reply.
Regarding Hampton, like I wrote in my reply to olashamala I also took Brent Evistons class on Skilöshare and only after this I understand Hampton´s initial aproach to Gesture and his Method of connecting the Body parts. I still struggle with his approach to substitute the torso and pelvis with boxes and have to put some more work to this.

For the pile of boxes the sudy companion guide for week 5 said we should draw simple structures from boxes like stacks of them and this was the result of my tries.